Installation view of Pinceman and Viallat. Cooley Gallery. Nov. 40 – Dec. 14, 2014.
People like to complain that the Supports/Surfaces group isn’t well enough known in America. This could mean that critics, certain critics, think their art is good enough to have warranted more attention, and probably attention from the presumptive big names: MoMA, Met, Walker, etc. They might also have in mind a historical point: the fact that the members of Supports/Surfaces were highly influenced by certain North American figures (Olitski, Greenberg, Noland, McLuhan) and so could be complaining that there is a kind of genealogy being erased when, say, Color Field painters are shown while Support/Surfaces are neglected. I have a feeling they tend not to mean that the group has benefitted from their existence outside of the limelight, although some do speculate that the “freshness” of the works today might have something to do with how infrequently they’ve been seen. Continue reading